Even without the ‘90s reference, Red White & Royal Blue is a saucy, enchanting rom-com that wraps queer love in a fluffy fantasy.
Author: Brandon Lewis
Brandon Lewis
A late-stage millennial lover of most things related to pop culture. Becomes irrationally irritated by Oscar predictions that don't come true.
After the twin mammoth successes of Spider-Man: No Way Home and Uncharted, Holland unveiled his latest project, The Crowded Room.
Passages could be read as a narcissist manifesto, centering on one of the most self-involved characters in recent memory.
Barbie is the most audacious major studio film of the year, a joyful, empathetic and audacious exploration of ones self.
Mel Eslyn envisioned her directorial debut, Biosphere, encompassing themes like magic, science, and politics.
Asteroid City succeeds marvelously as a surprisingly profound exploration of ennui’s destructive forces. Read our review!
Succession may not be real life, but it does reflect how we perceive art. Get our thoughts on the HBO series and more!
Halle Bailey gives The Little Mermaid its reason to exist. Get our thoughts on the new Disney live-action film inside!
Fletcher offers glimpses of Evans and de Armas at their best, which aids in Ghosted being a frustrating experience.
‘Carmen’ director Benjamin Millepied sits down with Brandon Lewis to discuss how fate and freedom inform the film.