Jim Gaffigan, pulling double duty, leads a winning ensemble in writer-director Colin West’s cosmic dramedy ‘Linoleum’ (2022).
Author: Devin McGrath-Conwell
Devin McGrath-Conwell
Devin McGrath-Conwell holds a B.A. in Film / English from Middlebury College and is currently pursuing an MFA in Screenwriting from Emerson College. His obsessions include all things horror, David Lynch, the darkest of satires, and Billy Joel. Devin's writing has also appeared in publications such as Filmhounds Magazine, Film Cred, Horror Homeroom, and Cinema Scholars.
Pirates (2022) marks the feature directorial debut for multi-hyphenate British filmmaker Reggie Yates. Set in London on New Year’s Eve, 1999, Pirates follows three 18-year-old friends as they embark on an Odyssean quest to weasel their way into the hot club party in South London. However, bubbling underneath is a young lifetime’s worth of friend group frustration. Cappo (Elliot Edusah) went off to university. Back in London, Two Tonne (Jordan Peters) and Kidda (Reda Elazour) keep plugging away at a prospective music career. Cappo is their manager, but he’s returned committed to telling his best mates that he has to…
From director Augusto Sandino, ‘A Vanishing Fog’ (2022) presents a poetic rumination on loneliness, place, and our collective future.
Mattie Do, Laos’ only female director, stopped by to talk about ghosts, folklore, and her new movie, ‘The Long Walk’ (2022).
Bianco Poletti, director of the SXSW-premiering ‘Radical Honesty’ (2022) joined us to talk all about her new short film.
Domee Shi, Julia Cho, and Lindsey Collins sat down to discuss their upcoming film ‘Turning Red’ (2022). Read the highlights here!
Augusto Sandino, writer-director of the SXSW-bound ‘A Vanishing Fog’ (2022), drops by to chat about his film and worldview.
Read Sandra Oh and her co-stars from Pixar’s ‘Turning Red’ (2022) reflect on making the movie, and what they learned along the way.
In ‘Turning Red’ (2022), the newest Pixar film, director Domee Shi delivers an innovative and moving tale of Mei’s quest for understanding.
The Guit brothers’ ‘Mother Schmuckers’ (2021) is a slice of gross-out slapstick that succumbs to the genre’s worst habits.