The director and co-star of “Please Baby Please” sit down with GVN to discuss the film’s improvisational energy and musical theater elements.
Author: Larry Fried
The composers behind “Please Baby Please,” opening in theaters this weekend, break down the film’s jazzy, seductive score.
TIFF22’s breakout hit follows a group of young people who engage in property destruction to attack the fossil fuel industry where it hurts.
We speak with V. T. Nayani and Kalaisan Kalaichelvan, the director and composer respectively of This Place.
Meditative and authentic, Reichardt’s latest envisions the artist’s malaise more beautifully and resonantly than any filmmaker prior.
The writer-director finally returns with a compelling fall from grace, poignant in our era of cancel culture but also timeless in its tragedy.
The director of TIFF’s hometown queer love story dives into the inspirations and collaborations that make up her cinematic world.
The beloved writer-director’s latest comedy is his biggest movie to date, but it’s bogged down by overwritten dialogue.
As much as you want to give “Don’t Worry Darling” the benefit of the doubt, the film’s controversies reflect the film’s poor storytelling.
Zachary Wigon’s single-location two-hander is a thrilling battle of wits and wiles that defies every restraint that could hamper it.