Discover the unique world of Zia Anger’s My First Film, a thought-provoking and captivating exploration of the challenges of filmmaking.
Author: jaylansalman
jaylansalman
Jaylan Salah Salman is an Egyptian poet, translator, and film critic for InSession Film, Geek Vibes Nation, and Moviejawn. She has published two poetry collections and translated fourteen books for International Languages House publishing company. She began her first web series on YouTube, “The JayDays,” where she comments on films and other daily life antics. On her free days, she searches for recipes to cook while reviewing movies.
Merchant Ivory is a dream embedded in reality. It’s a film about the art of making something grand out of the ashes.
Dance First is a tragicomedy, an absurdist meditation on the artist’s search for meaning and failure to find any.
Great Absence is a family drama centered on what is not being said in a story, rather than the entire history of a particular character, or their dynamic with other characters.
Skincare finds its balance by blending camp with insightful social and economic commentary. Read our review!
Learn about Anna Maguire’s role in the thought-provoking short film ‘Hi! You Are Currently Being Recorded’ from Fantasia Fest.
East Bay is more than a dark comedy or an artistic project that fills the narrative loophole with masterful technique.
The Convert is not concerned with giving easy answers to complex questions. It doesn’t glorify war or colonization. Read our review!
Uncover the twisted and abstract storytelling of The Devil’s Bath. Veronika Franz and Severin Fiala push the boundaries of cinema.
![‘Linda Perry: Let It Die Here’ Review – Capturing The Vulnerability Of An Artist On Screen [Tribeca 2024]](https://cdn.geekvibesnation.com/wp-media-folder-geek-vibes-nation/wp-content/uploads/2024/06/large_LINDA_PERRY_-_LET_IT_DIE_HERE-Clean-16x9-02.png "‘Linda Perry: Let It Die Here’ Review – Capturing The Vulnerability Of An Artist On Screen [Tribeca 2024]")
Linda Perry: Let It Die Here doesn’t give answers to Perry’s most complex questions about art and identity.