Author: Liselotte Vanophem

While The Electric State feels recycled and all-too-familiar, it still has a lot of entertainment, humour and emotional scenes to offer.

Paul W.S. Anderson’s ‘In the Lost Lands’ gets lost in its own world of lacklustre, artificial looking CGI and too many subplots.

‘Conclave’ and ‘The Brutalist’ dominate the EE BAFTA Film Awards 2025 with four accolades each, including ‘Best Film and ‘Director’

Geek Vibes Nation had a chat with writer/director Adam Elliot about his latest stop-motion feature ‘Memoir of a Snail’ and independent films.

Bridget Jones: Mad About The Boy is a heartfelt and grounded story about an imperfect woman embracing the possibility of love once more.

While not every decision in ‘The Fire Inside’ works, Morrison’s debut packs a punch because of the up-close cinematography and strong acting.

The only independent cinema in London’s West End, Prince Charles Cinema, is under threat of closure due to lease dispute.

While ‘Flight Risk’ has suspenseful moments, scene-stealing comedy and punchy performances, it loses its power because of the sloppy CGI.

The Royal Opera House in London is hosting a behind-the-scenes tour to celebrate the release of Larraín’s ‘Maria’ and honour Maria Callas.

While the impact of Santosh don’t reach its potential, Sandhya Suri’s directional debut is a gripping portrayal of the injustices women face.