Author: Megan Loucks

The Moment has its lulls within the script, Zamiri keeps audiences engaged with a pop star’s perspective that feels like reality than satire.

While Scarlet is a disappointing outing from the acclaimed director, there’s beauty to be seen in the electrically crafted animation.

Sundance 2026 features an array of films directed by women, offering unique perspectives and compelling narratives for all audiences.

Lady is truly a joy, showing that women have different desires, different ambitions, but a similar goal of living life as freely as they wish.

Michelle Mao shines in Kogonada’s newest film Zi that lacks a script that resonates the emotional depth the premise is capable of.

Georgia Bernstein’s debut feature Night Nurse is a genre-defining erotic thriller that explores lustful power imbalances.

Atropia is a funny yet frustrating film that has no shortage of strong performances and laughs, but stumbles with its deeper themes.

Lee Sang-il’s Kokuho is a sweeping Kabuki epic that immerses audiences in the sacrifices behind powerful art.

Dolores Fonzi’s Belén is a harrowing true story of systemic injustice and the power women hold when they are united in their fight.

Queens of the Dead is a uniquely hilarious horror-comedy with heart, a promising debut from horror royalty Tina Romero.