“The Diary of River Song: The Orphan Quartet” ends Big Finish’s River Song series with a collection of haunting, grief-filled stories.
Author: Michael Cook
Michael Cook
Part-time writer, part-time theatre nerd, full-time dork.
Christopher Eccleston returns in “Doctor Who: Travel in Hope”, a trilogy of tense, farcical, and thrilling audio dramas from Big Finish.
Big Finish’s celebration of Doctor Who’s 60th anniversary continues in “Once and Future: Two’s Company”, an enjoyably light and fluffy romp.
Doctor Who’s multi-platform event, “Doom’s Day”, is off to an uneven start; an intriguing premise with uneven execution.
Daniel Kraus’ “Whalefall” offers a tense, thrilling, and emotional exploration of grief and survival – all inside the belly of a whale.
“Jules” delivers an otherworldly look at loneliness, hope, and a second chance at connection. It’s funny, heartbreaking, and unforgettable.
Good Omens returns with a second season that’s packed with romance, comedy, and an amnesiac angel with a supernatural mystery to unravel.
Emily Jane’s “On Earth as It Is on Television” offers a wholly unique, absurd, and emotional take on the well-worn First Contact genre.
Christopher Paolini’s “Fractal Noise” offers a rumination on overcoming grief with a tense, paranoid sci-fi thriller wrapping.
Big Finish Production’s celebration of Doctor Who’s 60th anniversary begins with a story that’s equal parts promising and disappointing.