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‘The Exorcism’ Review – The Dark Curse Of Dullness Is Hanging Above This Film
While The Exorcism can count on Russell Crowe’s unsettling and dedicated performance, the movie never becomes a well-rounded horror movie.
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‘I Used To Be Funny’ Review – Rachel Sennott Gets The Last Laugh In This Poignant Dramedy
Experience Rachel Sennott's captivating performance in this dark comedy, I Used To Be Funny, infused with #MeToo themes.
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‘The Boys’ Season Four Premiere Review – Mid-Life Crisis And Daddy Issues
Has season four of The Boys lived up to its wild reputation? Find out more with our season 4 premiere review!
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‘Tuesday’ Review – A Surreal Journey Through Grief And Defiance
Experience the profound symphony of grief in 'Tuesday'. A heart-wrenching tale of acceptance and loss, brilliantly portrayed by Julia Louis-Dreyfus.
Apple TV+
‘Presumed Innocent’ (2024) Review – Jake Gyllenhaal Is Miscast In Underwhelming Legal Thriller
Here at Geek Vibes Nation, we review the Apple TV+ streaming series adaptation Presumed Innocent starring Jake Gyllenhaal.
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‘The Watchers’ Review – Effectively Eerie Atmosphere Stifled By A Script That Needs Work
Sadly, once The Watchers plays its full hand, it becomes a mystery that wasn't quite worth unraveling. Read our review!
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What’s New For Max In June 2024
If you love a good binge of new seasons of anything, MAX is the place for you in June. That, and there's a little…
Cannes Film Festival
‘Kinds Of Kindness’ Review – A Repetitive Fast-Paced Head-Scratcher [Cannes 2024]
While Kinds Of Kindness feels uncomplete and repetitive, it’s still a fast-paced and head-twisting feature filled with terrific A-listers.
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Nicholas Galitzine Takes The Reins As He-Man In ‘Masters of the Universe’ Film
Get ready for the epic adventure! Nicholas Galitzine takes on the iconic role of He-Man in the upcoming Masters of the Universe film.
Cannes Film Festival
‘The Substance’ Review – A Ghastly, Vivid And Daringly Performed ‘Careful What You Wish For’ Social Commentary [Cannes 2024]
While The Substance by director Fargeat is too long, it’s a ghastly and vivid social commentary led by the remarkable Moore and Qualley.