Street Date: June 14, 2022

Synopsis: In her luminous feature debut, filmmaker Ekwa Msangi chronicles a broken family’s journey to wholeness with empathy and insight. Seventeen years after his family was separated by the civil war in Angola, a New York taxi driver (Ntare Guma Mbaho Mwine) is reunited with his now devoutly religious wife (Zainab Jah) and teenage daughter (Jayme Lawson) when they are finally able to follow him to America. But after living thousands of miles apart for so long, the three find they must discover one another’s strengths, forgive one another’s weaknesses, and bridge cultural and generational divides in order to build a life together. Told in three perspective-shifting chapters that honor the multitude of struggles and emotions that make up the immigrant experience, Farewell Amor is a bittersweet, compassionate evocation of how it feels when your heart and your home are in different places.

Street Date: June 21, 2022

Synopsis: Cantopop superstars Anita Mui and Leslie Cheung display the androgynous magnetism that made them icons as doomed lovers in this emblematic film of Hong Kong’s Second New Wave, directed by pioneering queer melodrama master Stanley Kwan. Rouge bridges past and present in its tragic romance between a humble courtesan and the wayward scion of a wealthy family, who embrace death by suicide pact amid the opulent teahouses of 1930s Hong Kong. Fifty years later, she returns to the city-state to find him, drawing a young contemporary couple (Alex Man and Emily Chu) into her quest to rekindle a passion that may be as illusory as time itself. With its lush mise-en-scène and transcendently melancholy mood, this sensuous ghost story is an exquisite, enduringly resonant elegy for both lost love and vanishing history.

Street Date: June 28, 2022

Synopsis: Renate Reinsve won the Best Actress prize at Cannes for the revelatory, complex performance that anchors this sprawlingly novelistic film by Norwegian auteur Joachim Trier, an emotionally intricate and exhilarating character study of a woman entering her thirties. Amid the seemingly endless possibilities of the modern world, Julie (Reinsve) vacillates between artistic passions and professions, the question of motherhood, and relationships with two very different men: a successful comic-book artist (Trier regular Anders Danielsen Lie) and a charismatic barista (Herbert Nordrum). Working with a team of longtime collaborators, Trier and his perennial cowriter Eskil Vogt construct in The Worst Person in the World, the Oscar-nominated third entry in their unofficial Oslo Trilogy, a liberating portrait of self-discovery and a bracingly contemporary spin on the romantic comedy.