The Criterion Collection has announced six new titles to debut on Blu-Ray in June: The Human Condition (1959), Streetwise/Tiny: The Life Of Erin Blackwell (1984 & 2016), The Signifyin’ Works of Marlon Riggs (1986-1995), Visions of Eight (1973), Pariah (2011) and Pickup On South Street (1953). These represent a landmark wartime epic, an astonishing thirty-year documentary collaboration, the filmed evolution of a pathbreaking gay, Black artist, a unique look at the 1972 Olympic Games in Munich, the feature directorial debut from Dee Rees and Samuel Fuller’s crackling noir classic. Details on these films can be found below:
[youtube https://www.youtube.com/watch?v=rbBiTlGhrPY]
Street Date: June 8, 2021
Synopsis: This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.
- On the Blu-ray: High-definition digital restoration, with uncompressed monaural (Parts 1–4) and 4.0 surround DTS-HD Master Audio (Parts 5 and 6) soundtracks
- On the DVD: Restored high-definition digital transfer
- Excerpt from a 1993 Directors Guild of Japan interview with director Masaki Kobayashi, conducted by filmmaker Masahiro Shinoda
- Interview from 2009 with actor Tatsuya Nakadai
- Appreciation of Kobayashi and The Human Condition from 2009 featuring Shinoda
- Trailers
- PLUS: An essay by critic Philip Kemp
Street Date: June 15, 2021
Synopsis: In 1983, director Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of homeless and runaway teenagers living on the margins in Seattle. Streetwise follows an unforgettable group of kids who survive by hustling, panhandling, and dumpster diving. Its most haunting and enduring figure is iron-willed fourteen-year-old Erin Blackwell, a.k.a. Tiny; the project’s follow-up, Tiny: The Life of Erin Blackwell, completed thirty years later, draws on the filmmakers’ long relationship with their subject, now a mother of ten. Blackwell reflects with Mark on the journey they’ve experienced together, from Blackwell’s battles with addiction to her regrets to her dreams for her children, even as she sees them repeat her own struggles. Taken together, the two films create a devastatingly frank, empathetic portrait of lost youth growing up far too soon in a world that has failed them, and of a family trying to break free of the cycle of trauma—as well as a summation of the life’s work of Mark, an irreplaceable artistic voice.
- New, restored high-definition digital transfers of both films, supervised by director Martin Bell, with uncompressed monaural soundtrack for the Streetwise Blu-ray and 5.1 surround DTS-HD Master Audio soundtrack for the Tiny: The Life of Erin Blackwell Blu-ray
- New audio commentary on Streetwise featuring Bell
- New interview with Bell about photographer Mary Ellen Mark
- New interview with Streetwise editor Nancy Baker
- Four short films by Bell
- Trailer
- English subtitles for the deaf and hard of hearing
- PLUS: An essay by historian Andrew Hedden; journalist Cheryl McCall’s 1983 Life magazine article about teenagers living on the street in Seattle; and reflections on Blackwell written by Mark in 2015
Street Date: June 22, 2021
Synopsis: There has never been a filmmaker like Marlon Riggs (1957–1994): an unapologetic gay Black man who defied a culture of silence and shame to speak his truth with resounding joy and conviction. An early adopter of video technology who had a profound understanding of the power of words and images to effect change, Riggs employed a bold mix of documentary, performance, poetry, music, and experimental techniques in order to confront issues that most of Reagan-era America refused to acknowledge, from the devastating legacy of racist stereotypes to the impact of the AIDS crisis on his own queer African American community to the very definition of what it is to be Black. Bringing together Riggs’s complete works—including his controversy-inciting queer landmark Tongues Untied and Black Is . . . Black Ain’t, his deeply personal career summation—The Signifyin’ Works of Marlon Riggs traces the artistic and political evolution of a transformative filmmaker whose work is both an electrifying call for liberation and an invaluable historical document.
- New high-definition digital masters of all seven films, with uncompressed stereo soundtracks on the Blu-rays
- Four new programs featuring editor Christiane Badgley; performers Brian Freeman, Reginald T. Jackson, and Bill T. Jones; filmmakers Cheryl Dunye and Rodney Evans; poet Jericho Brown; film and media scholar Racquel Gates; and sociologist Herman Gray
- Long Train Running: The Story of the Oakland Blues (1981), Riggs’s graduate thesis film
- Introduction to Riggs, recorded in 2020 and featuring filmmakers Vivian Kleiman and Shikeith, and Ashley Clark, curatorial director of the Criterion Collection
- I Shall Not Be Removed: The Life of Marlon Riggs (1996), a documentary by Karen Everett that features interviews with Riggs; Kleiman; filmmaker Isaac Julien; African American studies scholar Barbara Christian; several of Riggs’s longtime friends and collaborators; and members of his family
- English subtitles for the deaf and hard of hearing
- PLUS: An essay by film critic K. Austin Collins
Dillon is most comfortable sitting around in a theatre all day watching both big budget and independent movies.