DC’s upcoming Clayface movie is generating whispers across the industry, promising a departure from the usual superhero fare. According to scooper Jeff Sneider, a trusted voice in comic book film news, this project—potentially directed by Speak No Evil’s Christian Watkins—feels less like a universe-building cornerstone and more like a daring detour. Think of it as a moody, standalone experiment, something you’d drop after a long run of interconnected epics to keep things fresh.
The screenplay, crafted by horror guru Mike Flanagan (who’s too busy with his Exorcist reboot to direct), spins a grim yarn about an actor in his early 30s desperate to cling to fame. He turns to a strange substance that doesn’t just alter his career—it reshapes his body and mind in haunting ways. Sneider likens it to The Substance, hinting at a blend of psychological unease and grotesque transformation. This isn’t the Clayface of Batman fame, all villainy and vengeance; it’s a Hollywood horror story with a DC twist.

Casting buzz has zeroed in on Daniel Radcliffe as a possible lead. Sneider flagged the Harry Potter star as a name he finds plausible, citing Radcliffe’s recent successes—an Emmy nod for Weird: The Al Yankovic Story and a cheeky villain role in The Lost City. At 35, he’s the right age, and his past work with Watkins on the 2012 fright fest The Woman in Black adds a layer of intrigue. Radcliffe’s a Warner Bros. veteran too, which could make him a savvy pick as the studio ramps up its HBO Harry Potter reboot. “He’s got broad appeal and won’t cost a fortune,” Sneider suggested, though he warned it’s still just speculation.
Not all scoopers agree on the timeline. One insider, who nailed Daniel Craig’s Sgt. Rock exit before the trades, insists the Clayface casting is on hold. That’s at odds with Deadline’s Justin Kroll, who recently reported that DC’s already scouting actors. Kroll noted the director’s input will be key, leaving room for Watkins to shape the final choice if he signs on.
What makes this film stand out is its vibe—less capes-and-cowls, more introspective dread. It’s a tale of ambition gone wrong, wrapped in a skin-crawling package that could either captivate or confound DC fans. With Flanagan’s dark imagination and Watkins’ knack for tension, Clayface might just be the curveball the studio needs to spice up its lineup.
Radcliffe as Clayface? It’s a tantalizing thought, but nothing’s locked in yet. Whether this becomes a breakout hit or a polarizing oddity, it’s clear DC’s playing with something bold. Keep your ear to the ground—this one’s worth watching.

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