There is something oddly refreshing aboutMonster Mia. On paper, it sounds like the kind of family-friendly animated movie that could easily get lost in the endless pile of colorful CG adventures that come out every year. A young girl is sent somewhere strange, discovers a world filled with monsters, makes some friends, and eventually has to save the day. It is a formula we have seen plenty of times before, and Monster Mia definitely is not trying to reinvent it. Still, there is a certain charm to this little German animated adventure that made it much more enjoyable than I expected.
What worked best for me was the movie’s atmosphere. Monster Mia has a cute, lightly spooky quality that makes its familiar story more fun to sit through. The monster school setting gives the movie plenty of opportunities to play around with creepy designs and Halloween-ish imagery without ever becoming genuinely scary. Mia being the only human surrounded by monsters also gives the story an easy outsider appeal, and I thought the movie handled that part pretty sweetly. It is not exactly deep, but there is enough heart behind its ideas about friendship, acceptance, and finding where you belong to make them work.
The story itself is probably the weakest part. There were quite a few moments where I could already see exactly where things were heading, and some of the characters and situations feel like they were pulled directly from the family-animation playbook. You have the misunderstood kid, the weird new environment, the unlikely group of friends, and a villain with a plan that is not nearly as complicated as the movie seems to think it is. None of this is bad, but it does make Monster Mia feel pretty familiar from beginning to end.
Thankfully, the characters are likable enough to carry it. Mia is an easy protagonist to root for, while the monsters around her give the movie plenty of personality. I especially appreciated that the humor does not constantly depend on making every character loud or obnoxious. The friendships that develop throughout the story are actually pretty cute, and even when a joke did not land for me, I still enjoyed spending time with these characters.
The animation was another pleasant surprise. No, this is not going to compete with the biggest animated movies coming out of Hollywood, but there is still a lot of personality in the designs and environments. The monsters are fun to look at, and the movie clearly understands that being a little weird is part of its charm. Whenever Monster Mia leans harder into its spooky side, it is at its most visually appealing. There is nothing here that completely blew me away, but it looks nice enough and has enough personality that I never felt like I was watching something completely lifeless.
The soundtrack is probably the least memorable part of the movie. It does what it needs to do, but I cannot say much of it stuck with me afterward. Thankfully, that is a pretty minor complaint when the rest of the movie is this pleasant.
Ultimately, Monster Mia is not going to reinvent family animation, and I doubt it will become anyone’s new favorite animated movie. But I had a genuinely nice time with it. It is cute, a little creepy, easy to watch, and has just enough personality to keep its familiar story from feeling completely forgettable.
For spooky season, Monster Mia is an easy little watch. It is not particularly scary, but the monsters and Halloween atmosphere give it just enough of that October feeling to make it a fun family-friendly choice this time of year. It is cute, charming, and a pretty enjoyable way to spend 81 minutes.
7.0
For spooky season, Monster Mia is an easy little watch. It is not particularly scary, but the monsters and Halloween atmosphere give it just enough of that October feeling to make it a fun family-friendly choice this time of year. It is cute, charming, and a pretty enjoyable way to spend 81 minutes.
Codie Allen is a passionate trans and queer film critic and entertainment writer based in Orlando, FL. A Rotten Tomatoes-approved critic, Dorian Awards member, and CACF member, they also contribute to The Curb and InSession Film. When they’re not writing about films, you can find them sipping way too much tea and listening to Taylor Swift.