In a world where aging populations and loss of empathy are rife, Japan finds itself grappling with not one but two existential crises. The elderly are shunned and marginalized, facing vicious attacks and discrimination at every turn. As society crumbles under the weight of its own callousness, the government scrambles to find a solution. But their proposal is as controversial as it is disturbing: a voluntary euthanasia program. With the stakes so high, the question becomes: is this a desperate attempt at a solution or a cynical bid for power? Either way, the consequences are dire.
The dystopian world of Plan 75 is a gripping film directed by Chie Hayakawa. Through the lens of this first-time filmmaker, we are taken on an emotional journey through a bleak reality where the government’s plan is the only hope for survival. This is a world where the elderly are treated as liabilities and their value as human beings is discounted. This is a society that has lost its way, and the only way out is through this government program.
At the center of this narrative is Michi (Chieko Baisho), a 78-year-old cleaning lady who is struggling to make ends meet. Her bills are piling up, and there seems to be no end to her financial woes. She has no family, no children, and no way out – until she discovers the government’s plan. It is a lifeline for those who have nowhere else to turn. Michi’s journey is not an easy one, and she is joined by two other subjects: Hiromi, a recruiter for the program, and Maria, a Filipino woman who has taken a laborer’s job to provide for her sick daughter. The film explores the harsh reality of how society treats the elderly, and the social commentary is both heartbreaking and thought-provoking.
Through Michi’s eyes, we see a world where the government and private corporations market death as a commodity. The satire is scathing, and the film will make you question the world we live in today. Despite the bleakness of the situation, there are glimmers of hope. Michi forms an unlikely bond with a young woman working at the Plan 75 call center, where volunteers are given a laughable $1,000 for participating. Despite company policy, the two women became close, even going bowling together. This relationship is a testament to the power of human connection and a bright spot in an otherwise dark world.
The cinematography and pacing are flawless. The film opens with a jaw-dropping sequence that is both haunting and mysterious. The blurred image slowly comes into focus as a body enters the foreground. The camera pans out of the window as a gunshot rings out, ending in a single tree. The lack of context makes the scene all the more intense, and it’s only later in the film that its meaning becomes clear.
The film’s pacing is deliberate and methodical, and while it may not be for everyone, it’s a testament to Hayakawa’s confidence in her craft. The even-handed, hushed tone of the film creates an unsettling atmosphere that lingers throughout. The tension steadily builds, and by the time we reach the climactic sequence, you are on the edge of your seat. And what a climax it is! Hayakawa pulls out all the stops to deliver a terrifying, thrilling, and utterly chilling sequence. Its astounding horror filmmaking, and the pacing is a crucial part of its success. The audience is left reeling from the sheer terror and intensity of what we’ve just witnessed.
Although it may come across as a bit formulaic in terms of its filmmaking approach, the calculated composition of each frame can create a sense of detachment, leading to a clinical viewing experience. However, this very aspect is what lends the film its undeniable power, culminating in a gut-wrenching finale that will leave audiences stunned. Chieko Baisho’s poignant portrayal of Michi further amplifies the film’s impact, drawing us in and making us truly feel the gravity of her situation. Despite its seemingly reserved approach, Plan 75 manages to pack an emotional punch that will linger long after the credits roll.
Plan 75 probably will not be for everyone, but those who appreciate masterful filmmaking and a well-crafted horror story will find plenty to love here. Hayakawa’s direction is confident and assured, and the film’s deliberate pacing only adds to its effectiveness. Hayakawa has a truly astounding picture under her belt now, and I cannot wait to see what she does next.
Plan 75 is currently playing in select theaters courtesy of KimStim.
[youtube https://www.youtube.com/watch?v=-at2w5ORFfE]
Plan 75 probably will not be for everyone, but those who appreciate masterful filmmaking and a well-crafted horror story will find plenty to love here.
Codie Allen is a passionate trans and queer film critic and entertainment writer based in Orlando, FL. A Rotten Tomatoes-approved critic, Dorian Awards member, and CACF member, they also contribute to The Curb and InSession Film. When they’re not writing about films, you can find them sipping way too much tea and listening to Taylor Swift.
