‘Thunder’ (2023) Review – Carmen Jaquier’s Extraordinary Dive Into Sensuality And Spirituality

In Christian history, women’s roles have been shaped by cultural and theological norms, often confining them to ideals of purity, servitude, and redemption. This framework has, at times, cast shadows on the celebration of human sexuality and sensuality in a sacred context. Over time, some women displayed unwavering devotion by embracing extreme self-sacrifice as a profound expression of faith. Their acts, though perplexing to modern sensibilities, reflected their dedication to a higher calling. Through self-mutilation and rigorous asceticism, they transcended basic human needs to draw closer to divinity, seeking spiritual salvation and a reconnection with the divine. Interestingly, even the natural processes of menstruation and fertility were not exempt from a sense of reverence and penance among women. Some young women may have felt compelled to apologize to the Virgin Mary for these biological processes, navigating the complex interplay of their humanity and a faith that often emphasized abstinence as the path to salvation.

In her debut film Thunder, Carmen Jaquier takes us on a captivating journey into the intricate web of female identity and spirituality against the backdrop of late 19th-century Switzerland. With a discerning eye, Jaquier delves into the traditional female roles within a Christian society, those of the virgin, servant, and penitent. Yet, what sets this film apart is its profound dissection of these roles, as it fearlessly embraces sensuality and sexuality not as detractors, but as intricate pathways to the sacred.

The film’s cinematography, expertly handled by Marine Atlan, plays a crucial role in shaping the emotional and visual landscape of Thunder. Atlan’s lens beautifully captures the Swiss scenery and human forms, infusing the film with a captivating sensuality. This visual language not only complements the narrative but elevates it to new heights. Thunder presents a narrative ripe with themes that spark meaningful conversations. At its core, it explores societal attitudes toward sex, contextualized in the early 19th century but with relevance to modern values. This thought-provoking complexity engages the audience without imposing a message.

The story unfolds through Elisabeth’s eyes, portrayed with depth by Lilith Grasmug. As a 17-year-old novitiate in a convent, Elisabeth’s world is upended when her elder sister, Innocente (Léa Gigon), has passed away. Her return to the family farm forces her to reconcile her religious upbringing with newfound desires and emotions. Jaquier and Atlan blend religious iconography into the narrative, underlining the connection between nature and the divine. A symbol of this connection, Innocente’s hand-painted angel, evolves in significance, mirroring the multifaceted nature of faith and desire.

Elisabeth’s exploration of her sister’s diary becomes a journey of self-discovery, unraveling secrets that lead her to confront her desires and the paradoxical nature of human yearning. Her struggle is portrayed with raw intensity, forging a strong connection with the audience. The feature bravely challenges the historical reluctance to embrace the divine feminine, particularly within the Christian tradition. In the conservative Swiss village, conservative values overshadow female power, governed by the doctrines of Calvinism and Catholicism. The film depicts the oppressive influence of religious authorities, the Bible, and societal regulations, stifling the potential for a more inclusive spirituality.

Elisabeth’s rebellion against societal norms and her deep bond with her younger siblings, Adèle and Paule, symbolize her quest for a transcendent connection with the divine. Her defiance is encapsulated in her declaration. The film’s compelling storytelling is amplified by the performances of Lilith Grasmug and her supporting cast.

Thunder challenges conventions and invites viewers to explore the complexities of desire, religion, and societal constraints. It celebrates the indomitable human spirit in the face of suppression, transcending the boundaries of time and culture. Carmen Jaquier’s visually striking film is guided by a director determined to carve a unique perspective into cinema. Lilith Grasmug’s portrayal of Elisabeth is nuanced and powerful. Her journey to reconcile her faith with newfound desires is at the heart of the story.