‘Found Alive’ tests your patience, then gives you a reason not to give up entirely. Its sluggish pace and dull stretches make for a wearying watch, yet the lead performance keeps an otherwise unengaging film from becoming a complete loss.
Chaos can give a film momentum, but it can also swallow any sense of direction. ‘The Idiot(s)’ falls into the latter trap. Our LFF 2026 review examines a film whose disorder becomes the thing to endure rather than a reason to stay engaged.