Synopsis: In a continuation of the epic story, Dr. Kelson (Ralph Fiennes) makes a discovery that could change the world as they know it – and Spike’s (Alfie Williams) encounter with Jimmy Crystal (Jack O’Connell) becomes a nightmare he can’t escape. In the world of The Bone Temple, the infected are no longer the only threat to survival – the inhumanity of the survivors can be stranger and more terrifying.
In a not-so-distant past, we were all told to be leaders, not followers. Moreover, elders would often ask if we would follow whatever “bad influence” we were into off a cliff or bridge, and the answer was almost always no. Unfortunately, somewhere between growing a beard (I started shaving in 7th grade) and the prom I wanted to skip, the adults lost their way. Or perhaps it was always this way, and I overlooked it as most kids would. Nevertheless, the same ones reminding us to lead were swept up in the cult of nationalism that quickly victimized a lot of innocent people of a specific demographic. As history repeats itself, be cautious of who you follow and swear an allegiance to because they’ll influence you to do vile and unspeakable acts in the name of their ego. You’re not simply ruining the lives of others but yours as well, and doing it all so someone else can get off on the mayhem and adoration. Remember, history may get hidden, but it doesn’t forget; don’t be on the wrong side of it.
“They say, the Devil’s always up for making a deal.”
Just when you thought it couldn’t get any crazier or any more chaotic, Jimmy Crystal and his Seven Fingers want to make sure you’ll remember them forever. Directed by Nia DaCosta, 28 Years Later: The Bone Temple is a beacon of hope amongst endless carnage. This new chapter of the cult franchise is a visceral and gruesome affair. With somewhat new faces and higher stakes, the film is violent, serene, unexpectedly funny, and bloodier than ever. Moving the story into an unknown, intangible, and seemingly aimless future, it would seem that anything is possible. This is a ride you get on for the love of the thrill because, for better or worse, a clear-cut conclusion is far from crystal. From its tone to its overall aesthetic, it’s quite a departure from the original. But this is no longer a cerebral, poignant story of survival; it’s pure turbulence and terror.
This may sound odd, but after experiencing TBT, this apocalyptic journey is beginning to feel like a diabolical blend of The Walking Dead, the Fast franchise, with a soupçon of Warm Bodies. I don’t want to give too much away, but you’ll see. Told from two vastly different perspectives, the narrative is progress versus annihilation, science versus depravity, Atheist versus Satanists, and cult of personality versus all who stand in the way. On one side, the story follows Dr. Ian Kelson as he attempts the impossible with the 6’9″ rage-fueled Samson. On the other side is the deranged Jimmy Crystal and his bloodletting flock of Jimmies. While Kelson is deadset on finding light through all of the darkness, Jimmy wants more darkness and claims to be called to it by the Dark Lord himself, Old Nick. Caught in the middle of it all is poor young Spike, who is barely surviving. While it is more of a straightforward zombie film this go around, Dacosta’s direction preserves some of the beauty. But the Alex Garland script is a descent into desolation with something special at the end.
“Did you not think to cut off her face?”
This gruesome and gory continuation fails to answer some questions while also causing some confusion; however, it’s hearty enough to satiate fans until the grand finale, where perhaps all will make sense. Not only is 28 Years Later: The Bone Temple miles ahead of its predecessor, but it’s also what the people want to see. As flesh hits the floor and heads are ripped from torsos, Rob Zombie would be proud. From its unforgettable set pieces to its haunting scenes, solid performances, and unhinged personality, this will quickly become a franchise favorite. Its rewatchability is medium-high.
Pace & Pop
Despite an excruciatingly crimson opening sequence, the first quarter of the film is a bit of a grind. However, once all is explained through a series of nightmarish events, it’s nothing but heart-pounding moments of panic and mayhem. What really pops is the Old Nick hellfire scene. It’s not only visually appealing, but it’s also sonically pleasing. This is definitely going to be one of the most memorable scenes of the year. Hopefully, you like Iron Maiden.
Characters & Chemistry
Starring: Ralph Fiennes, Jack O’Connell, Alfie Williams, Erin Kellyman, Chi Lewis-Parry
The movie features two standout performances, while others are just a joy to behold. Jack O’Connell easily steals the show as the homicide-hungry and slightly off, Jimmy Crystal. Like Sinners, his acting is in the eyes and smile; it’s quite chilling. To the surprise of no one, Ralph Fiennes as Dr. Kelson also stands out. He’s compassionate, caring, and driven like no other. Erin Kellyman always seems to brighten the screen, even if she is a ruthless killer this time. Alfie Williams is still perfect as Spike. His innocence and sincerity are a much-needed balance. Then there’s the giant Chi Lewis-Parry, who manages to balance uncontrollable monster with introspective discovery as Samson.
28 Years Later: The Bone Temple hits theaters on January 16, 2026. Stay safe and stay ready.
Rated: R Runtime: 1h 50m Director: Nia DaCosta Writer: Alex Garland Producers: Andrew Macdonald, Peter Rice, Bernard Bellew, Danny Boyle, Alex Garland Executive Producers: Cillian Murphy
28 Years Later: The Bone Temple is a beacon of hope amongst endless carnage. This new chapter of the cult franchise is a visceral and gruesome affair. With somewhat new faces and higher stakes, the film is violent, serene, unexpectedly funny, and bloodier than ever. Moving the story into an unknown, intangible, and seemingly aimless future, it would seem that anything is possible. This is a ride you get on for the love of the thrill because, for better or worse, a clear-cut conclusion is far from crystal. From its tone to its overall aesthetic, it’s quite a departure from the original. But this is no longer a cerebral, poignant story of survival; it's pure turbulence and terror.
Senior Critic. Observing the human race since 1988.
