Over Your Dead Body loses a bit of the crackling spark that it starts with when it struggles to carry its constantly shifting story.
Author: Joshua Mbonu
Joshua Mbonu
Lover of film writing about film. Member of the Dallas Fort-Worth Critics Association. The more time passes, the more the medium of movies has become deeply intertwined with who I am.
Lee Cronin’s The Mummy delivers plenty of goopy gore and practical effects, but struggles with focus and pacing.
Normal combines action and style like Nobody, showcasing Wheatley’s unique vision and Kolstad’s engaging screenplay.
They Will Kill You has the blood, guts, and weirdness to spare alongside its impressively choreographed fight sequences, and Zazie Beetz giving it her all at every moment.
Project Hail Mary offers nearly everything we want out of a modern sci-fi blockbuster.
Psycho Killer is so awful that the only mystery you’ll want to solve is how something conceptually promising could be butchered this badly.
Crime 101 is a good old-fashioned crime thriller with the heist, character exchanges, and chase sequences to match, and it rules.
GOAT leans hard into every underdog cliché—training montages, rival banter, but dazzles with high-energy animation.
Send Help marks Sam Raimi’s thrilling return to his signature style, delivering gore, dark comedy, and pure cinematic fun for horror fans.
Mercy isn’t quite as poorly executed visually as, say, last year’s War of the Worlds, but the fact that it’s even remotely close to that level of quality is bad in and of itself.