Sandra Hüller adds another brilliant performance to her run in Fatherland. Our NYFF 2026 review considers her work within Pawlikowski’s portrait of a divided Germany, where the national backdrop and the acting share the spotlight.
Author: Cameron K. Ritter
Cameron K. Ritter
Proud owner of three movie passes. Met Harrison Ford at a local diner once. Based in Raleigh, NC.
Looking back offers no certainty about what comes next. Real-life musician Alois Koch anchors The Loneliest Man in Town, giving our NYFF 2026 review its focus on the pull of the past and the prospect of an unknown future.
There’s being a man, and then there’s making sure everyone notices the performance. Taron Egerton embodies the latter in ‘Everybody Wants to F*ck Me.’ Our TIFF 2026 review examines a high-concept comedy through its portrait of masculinity as an act for an audience.
Martin McDonagh’s Wild Horse Nine gives John Malkovich a dynamite role as a fading CIA agent on Easter Island. From TIFF 2026: the performance is the movie. The rest goes mild.
The Snare review: Merlin Camozzi’s intense debut sheds light on the harsh reality of confidential informants. Here’s our take on the film.
Dive into the world of Zoey Deutch in Voicemails for Isabelle, a romantic comedy that blends drama with humor.
The Furious genuinely has the best action choreography you’ll see this year, led by Xie Miao and Joe Taslim.
Join Samara Weaving and Kyle Gallner in Carolina Caroline as they embark on a romantic adventure filled with schemes and excitement.
Broken Bird showcases two compelling characters: an imaginative assistant and a grieving mother in a thought-provoking narrative.
Dive into the realm of Alpha, where body horror meets innovative storytelling in Julia Ducournau’s newest feature.