“Creepshow” returns with a duo of stories all about the pains of grief and regret. They’re horrific, absurd, and wholly delightful.
Author: Michael Cook
Michael Cook
Part-time writer, part-time theatre nerd, full-time dork.
Doctor Who’s multimedia event, Doom’s Day, comes to an end with “Dying Hours”. It’s an enjoyable enough anthology with uneven execution.
Terry Miles’ “The Quiet Room” is a tense, mind-bending, page-turner of a mystery that’s equal parts thrilling and frustrating.
In season three of “Chucky”, Chucky sets his sights on the White House in a season full of mystery, tension, and utter absurdity.
Season two of SYFY’s “SurrealEstate” gets started with a bang. Bigger, scarier, and more focused than ever before. A perfect Halloween watch.
James Tynion IV and Michael Avon Oeming’s “Blue Book: 1961” faithfully retells Betty and Barney Hill’s story.
John Scalzi’s “Starter Villain” offers an enthralling, riotously funny romp through supervillain tropes and inept billionaire businessmen.
“Doctor Who: Once and Future” continues with a rip-roaringly fun mashup of “Doctor Who” and H.G. Wells’ “The War of the Worlds”.
Dan Frey’s “Dreambound” is a fast-paced, wholly satisfying, and thrilling fantasy mystery that explores just how powerful stories can be.
Carissa Orlando’s “The September House” offers a modern haunted house story mixed with a deep dive into the cycles of violence and abuse.