Close Menu
Geek Vibes Nation
    Facebook X (Twitter) Instagram YouTube
    Geek Vibes Nation
    Facebook X (Twitter) Instagram TikTok
    • Home
    • News & Reviews
      • GVN Exclusives
      • Movie News
      • Television News
      • Movie & TV Reviews
      • Home Entertainment Reviews
      • Interviews
      • Lists
      • True Crime
      • Anime
    • Gaming & Tech
      • Video Games
      • Technology
    • Comics
    • Sports
      • Football
      • Baseball
      • Basketball
      • Hockey
      • Pro Wrestling
      • UFC | Boxing
      • Fitness
    • More
      • Collectibles
      • Convention Coverage
      • Op-eds
      • Partner Content
    • Privacy Policy
      • Privacy Policy
      • Cookie Policy
      • DMCA
      • Terms of Use
      • Contact
    • About
    Geek Vibes Nation
    Home » ‘Blue Book Volume 1: 1961’ Review – A Creepy Nonfiction Comic in Need of Taking Creative Liberties
    • Book Review, ComicBooks, Dark Horse, Graphic Novel

    ‘Blue Book Volume 1: 1961’ Review – A Creepy Nonfiction Comic in Need of Taking Creative Liberties

    • By Michael Cook
    • September 19, 2023
    • No Comments
    • Facebook
    • Twitter
    • Reddit
    • Bluesky
    • Threads
    • Pinterest
    • LinkedIn

    Everyone loves true crime documentaries right now. There’s something endlessly appealing about investigating the strange, macabre, and potentially paranormal. Yet, it feels like mainstream comics hardly tackle these subjects outside of horror and science fiction. So, James Tynion IV and Michael Avon Oeming’s Blue Book: 1961, a comic that takes some of the most famous “true” UFO stories and turns them into a series of nonfiction graphic novels, seems like a home run, right? And in some ways it is; but in other ways, it falls a bit short.

    Reality Meets (Science) Fiction

    Retelling one of the most famous alien abductions of all time, Blue Book: 1961 explores the story of Betty and Barney Hill. In 1961, the couple reportedly got abducted by aliens while traveling home from a vacation in Canada. Or so the story goes. The way Tynion approaches this story proves quite interesting. At first, he follows the Hills as they’d have experienced the event. Driving along the countryside, seeing something weird in the sky, losing a bit of time, and eventually arriving home hours later than they should’ve with more questions than answers and a host of unresolved trauma.

    But as the book progresses, and the Hills see a hypnotist who helps them unlock their repressed memories, things swerve closer to the realm of science fiction. Tynion takes us onboard the UFO with the Hills, fully exploring the nooks and crannies of their story. Why were they abducted? What did the aliens want with them? All questions the Hills’ hypnotherapy sessions answer – if you’re willing to believe it. The nice thing is that it never feels like Tynion takes a stance on the truthfulness of the Hills’ story. And that adherence to neutrality is admirable. Tynion tells their story with no judgment and little embellishment. Just the facts, as they’ve been presented.

    A panel from Blue Book: 1961. Art by Michael Avon Oeming. Courtesy of Dark Horse Comics.

    An Adaptation in Need of Creative Liberties

    That being said, that’s also where the book stumbles a bit. Blue Book‘s biggest problem is that the story lacks some much-needed dramatization. It’s not that whole scenes and events need to be made up, or anything. Rather, most of the story is told by an omniscient narrator, so it’s very prose-heavy, almost like reading a report. An entertaining, well-written report, to be sure. But a report nonetheless. And it doesn’t entirely feel like Tynion takes full advantage of the graphic novel medium here – except, perhaps, for the parts of the book that detail the Hills’ repressed memories. There’s nothing inherently wrong with this approach. In fact, it’s one of the things that makes Blue Book feel unique. But it’s hard to avoid wishing Tynion had taken a few creative liberties here and there. Just a little touch of something.

    A panel from Blue Book: 1961. Art by Michael Avon Oeming. Courtesy of Dark Horse Comics.

    Breathtaking Artwork

    On the other hand, Oeming’s artwork does a lot of the heavy lifting. He focuses on the emotion of the story. Lots of quiet moments and close-ups of Betty and Barney’s faces. His work in the latter half of the book, where we see the Hills’ repressed memories aboard the UFO, is quite breathtaking, too. He dives headfirst into classic sci-fi territory – with very retro designs for both the UFO and the aliens. And that mishmash of very grounded, character work and classic sci-fi imagery makes for quite a satisfying read. His use of color only adds to this enjoyable mishmash. Most of the art is done in various shades of blue, which add to both the mystery of the story and to the inherent melancholy of the Hills’ experience. If you’re on the fence about reading Blue Book, Oeming’s artwork is easily worth the price of admission.

    A panel from Blue Book: 1961. Art by Michael Avon Oeming. Courtesy of Dark Horse Comics.

    Final Thoughts

    At the end of the day, Blue Book: 1961 proves enjoyable while also feeling a bit ho-hum. It’s very faithful to the Hills’ story, to be sure. But that faithfulness acts as a bit of a double-edged sword as it doesn’t feel like Tynion has anything new to say here. He offers a faithful look at their experience, but little else. The artwork, on the other hand, makes the story come startlingly alive. It’s gorgeous to look at, deeply atmospheric, and keeps things moving briskly. If you’re at all interested in the subject of UFOs, and you’re not super familiar with Betty and Barney Hill, then Blue Book: 1961 is well worth a read. If you’re not, your mileage may vary.

    Blue Book Volume 1: 1961 is available now in paperback and ebook formats from Dark Horse Comics.

    DISCLAIMER: A review copy of Blue Book Volume 1: 1961 was provided by Dark Horse Comics and Edelweiss+. All opinions in this review are the honest reactions of the author.

    7.0

    James Tynion IV and Michael Avon Oeming's "Blue Book: 1961" faithfully retells Betty and Barney Hill's story. Filled with breathtaking, atmospheric artwork, it straddles the line between nonfiction and science fiction - even as it feels like an adaptation in need of taking a few creative liberties.

    • Our Rating 7
    • User Ratings (0 Votes) 0
    Michael Cook
    Michael Cook

    Part-time writer, part-time theatre nerd, full-time dork.

    Leave A Reply Cancel Reply

    Hot Topics

    Two chefs in white shirts and blue aprons stand behind a counter, preparing food in a commercial kitchen. They appear to be having a serious conversation. Hulu

    ‘The Bear’ Season 5 Review – The Final Course Is A Chef’s Kiss

    By rickyvaleroJune 25, 20260
    Three people fight in an industrial room; one person in a suit leaps with an object raised, while two others, one in red pants, struggle on the floor.
    9.0

    ‘The Furious’ (2026) Review – The Most Intoxicating Action Film Of The Year

    June 25, 2026
    A woman holding a glass of water sits on a couch, smiling at two people in the foreground, while a man stands behind her with a drink in hand.
    9.0

    ‘The Invite’ (2026) Review – A Razor-Sharp Dramedy That Is Equally Hilarious And Deeply Insightful About Modern Relationships

    June 25, 2026
    A person in a Supergirl costume stands in a dimly lit, metallic interior, with another figure visible in the background.
    6.0

    ‘Supergirl’ (2026) Review – An Imperfect Next Step In Gunn’s DC Universe

    June 24, 2026
    A soldier wearing a helmet and military uniform looks to the right; the background is blurred and outdoors.
    8.0

    ‘Lucky Strike’ Review – An Everyman’s War Story Grounded In History And Bravery

    June 24, 2026
    Facebook X (Twitter) Instagram TikTok
    © 2026 Geek Vibes Nation

    Type above and press Enter to search. Press Esc to cancel.