‘Macbeth In Compton’ Review – A Hip-Hop-Infused Remix Of A Classic

Synopsis: “Macbeth in Compton” is a bold and innovative adaptation of Shakespeare’s classic tale, set in the vibrant and gritty backdrop of Compton in the mid-90s.

You can reach anyone with any message if you understand the audience you’re attempting to court. Because everyone learns and experiences the world differently, realizing that ‘one size doesn’t fit all’ empowers you to adapt and move forward. While segments of society would rather gatekeep, holding onto tired examples and outdated methods, it is time to innovate. As generations become drastically different from those that preceded them, we must find new and different ways to put them on game and inspire without presenting as an overseer. This short film is a great example.

“It’s a Bonnie and Clyde thing.”

The works of Shakespeare resonate with people from all walks of life, all across the world; however, you’ve never experienced Macbeth quite like this. From the 11th century to the mid-90s, from Scotland to South Central Los Angeles, Macbeth in Compton is a remix of a classic. Written, directed, and starring Page Kennedy, this hip-hop-infused tragedy is dipped in ice, laced with music, and brimming with a thirst for power. Not only does this short film recognize and understand who it’s trying to reach, but as a proof of concept, it delivers everything you’d want to see in a series. This reimagining of Macbeth is for those who feel left out of the Shakespearean conversation. It’s for those who feel that the original work is too old to be relevant or interesting, don’t get the appeal, or just simply don’t fully comprehend it. It talks the talk and walks the walk. Kennedy brought William Shakespeare to the streets; this version is for The Culture.

While the play was already a cutthroat tale of tyranny, murder, and paranoia, this gangsta twist rejuvenates the timeless literature by setting it in what many of us consider the greatest decade. Moreover, while it’s not a series yet, it also harbors a rhythmic pace and the qualities that make shows like Power and Nemesis addictive. Presenting the Shakespearean world in an increasingly more palatable fashion, Page Kennedy highlights how you can harness creativity while also facilitating the comprehension and retention of a challenging masterpiece. In its 19-minute runtime, the vision is clear, and we need a series as soon as possible.

“You want the crown or nah?”

Immediately grabbing your attention as it coasts onto your screen like the beginning of a music video, we are thrust into Mac’s (Macbeth) world and the plot to be King of the streets. With a joint in hand, a 40oz at the ready, and Lady M (Lady Macbeth) gassing him up, King Dunc (King Duncan) better enjoy his crown while he can still wear it. Macbeth in Compton is intense, passionate, and eventually tragic. The dialogue is delivered with a commanding ease that pairs perfectly with the overall aesthetic. And what sets this short apart from other modern takes is how the dialogue is presented. As the cast delivers the traditional lines, subtitles in modern language and slang translate the sentiments being expressed. It’s actually incredibly dope.

Furthermore, Kennedy injects a soundtrack of original songs, written and performed by him, that hit hard and drive the story. From the tone to the wardrobe, leading to its climax, Macbeth in Compton is an audacious outing that is nothing short of an arduous and artistic achievement with a bright future ahead. Its rewatchability is high.

Characters & Chemistry

Cast: Page Kennedy, Candice Renée, Russell Hornsby

While the runtime may be short, the chemistry ignites almost immediately. Candice Renée sets the tone as her fiery Lady M knows exactly what she wants and is willing to get it by any means. As soon as Page Kennedy’s Mac appears, there is a quiet confidence that balances the fervent ambition of his lady. However, as the hot and cold temperaments become singularly focused, a storm of violence waits on the horizon.

Macbeth in Compton begins making festival rounds on June 6, 2026, premiering at the Indie Night Film Festival, followed by a June 26, 2026 showing at the 29th Annual Dances With Films. Stay safe and stay woke.

Runtime: 19m Director: Page Kennedy Writer: Page Kennedy Producer: Josie Hull, Casey Zeman Executive Producer: Page Kennedy Cinematography: Jason Andrew Production Design: Seif Nabulsi Costume Design: Renee Candler Hair & Makeup: Cecee Marie SFX: Cecee Marie Editor: Daniel J. Seigerman