‘Lady’ Review – Superbly Witty And Surprisingly Meaningful [Nashville Film Festival]

Synopsis

Lady is an absurdist comedy about a lonely, self-obsessed aristocrat who dupes a struggling, opportunistic director into filming her every move. While pursuing her artistic expression, Lady Isabella’s life takes a surreal turn as she realizes if she’s not in the spotlight, she might just disappear.

For many, solitude is sought after, cherished, and considered peaceful; however, all good things have their limits. What may feel like a dream, or something you’ve adapted to, can erode into your own personal prison. Silence can become haunting isolation, and peace can become unimaginable loneliness. Not to mention, every little mysterious sound feels equivalent to a lurking predator. And let’s not forget the eventual bouts of stir-craziness. Despite what some may believe or feel, we are not meant to be alone for years on end. Whether you like it or not, we need each other. If not for our own sanity, we need others for love, companionship, protection, and entertainment. I mean, have you ever tried playing UNO by yourself? Not a great time. I say all that to say: no matter what you’ve been through, if you let yourself be vulnerable and receptive to help, someone will be there for you. You may be hesitant, but don’t push them away if they’re genuine. Kindness will breed more kindness.

“Everyone’s saying I’m the aristocracy’s answer to the Kardashians.”

The world’s a stage, so you might as well put on your best performance. Directed by Samuel Abrahams in his feature-length directorial debut, Lady is superbly witty and surprisingly meaningful. With a sharp Miranda Campbell Bowling screenplay, this film is rife with frenetic energy and nonstop hilarity. This is easily one of the year’s most enjoyable and memorable theater experiences. Anchored by a pulsating Sian Clifford performance, this surreal, comedic event charms the senses and awakens the spirit. Offering laughs, warmth, and perspective, it’s an undeniable gem begging to be found. By residing in the absurd and hysterical, the mockumentary expresses an unfortunate truth loudly, intentionally, and in a way that’s impossible to ignore.

At every turn, we’re reminded that once you reach the tail end of your 30s, everything is made and curated for young people. Then what happens to everyone else? While aging affects us all, mainstream society tends to treat women particularly unfairly. For some weird reason, women are shamed for the natural cycle of life: wrinkles, grey hair, and looking older. Without dodging the issues or leaning on a heavy-handed narrative, the film dives headfirst into grief, abandonment, and the feeling of being forgotten and disregarded. Some themes are subtle; others are front and center, draped in luxury and putting on a wine-influenced show full of unhinged charm. With characters dancing through a swirl of outrageous, endearing, and lovable irksomeness, they’ll make you laugh while still evoking compassion.

Documentarian Sam (Laurie Kynaston) may have been misled and hustled, and completely unequipped for Lady Isabella’s zeal. Still, he makes up for his lack of preparation with drive, curiosity, and eventual understanding. As we galavant from one vibrant, distinct room to the next in Lady Isabella’s giant 26-room mansion, we are immediately drawn in by her unflinching sense of self and her hilariously unmitigated need to be noticed. However, underneath the pomp, self-indulgence, and seemingly obliviousness is concealed trauma and masked pain. The many layers uncovered are what make this film special. Beyond the subterfuge and chaos, the sense of being invisible or forgotten works on both a literal and figurative level, painting a vivid picture that is both humorous and profoundly sad. It propels this story from entertaining to enlightening.

“You want to win your own talent show?”

With its comedic success and poignant message, Lady is one of the year’s best films. This is why we love going to the cinema. This mockumentary is fun, creative, imaginative, and thought-provoking. If the captivating performance doesn’t hook you, the unpredictable twists will keep you glued to your seat. Missing even one minute is unacceptable. Commanding the dramatic, the artistic, and the fashionable, Lady goes down like a David and Moira Rose marmalade margarita—complete with an Eric Andre salted rim and a magic mushroom garnish. Its only flaw is pulling focus from some of its deeper themes to make room for more. Unfortunately, the ultimate conclusion to its messaging is somewhat ambiguous

The editing is phenomenal; the script is strong, and for a debut, the direction is surprisingly rock solid. While the score bursts with dramatic flair, the wardrobe, set design, and cinematography weave a narrative all their own. If you’re looking for a good time, look no further. Its rewatchability is high.

Pace & Pop

Once Lady Isabella makes her hilariously eager entrance, the film grabs and demands attention. Once it pulls you in, it’s a wild, briskly-paced exploration. From the lively writing and vivacious delivery to the buzzing chemistry, you’re guaranteed to experience the film’s contagious spirit. Beyond Sian Clifford’s phenomenal performance, the film’s editing really pops. The marriage of performance and technical precision is where the comedy thrives.

Characters & Chemistry

Sian Clifford is an unstoppable comedic force. While Laurie Kynaston delivers a great, anxious, overwrought performance, he’s really just along for a ride on the Isabella (Sian Clifford) express. Clifford reaches into her comedy bag and hands out laughs like Halloween candy. However, what comes with it may be even better. She also delivers an unexpected level of heart, sincerity, and vulnerability that makes the whirlwind of a story worth it. This is without a doubt an award-worthy performance.

Lady is currently playing in select theaters and expanding weekly. Stay safe and stay woke.

Rated: NR

Runtime: 1h 35m

Director: Samuel Abrahams

Writer: Miranda Campbell Bowling

Producers: Anna Mohr-Pietsch, Stewart le Maréchal

Executive Producers: Jonny Persey, Maggie Glastonbury, Sean O’Shea, Tom Balkwill