Before audiences delved into the twisted tales of horror series such as Are You Afraid of the Dark? or Goosebumps, George A. Romero crafted a delightfully demented horror anthology series entitled Tales from the Darkside that ran for four seasons in syndication from 1984-1988. The show blended horror, comedy, science fiction and fantasy in a really engaging way that usually ended in some kind of devious twist. The show gained a dedicated fan base that reveled in the off kilter sensibilities of the stories. Following the theatrical success of the Creepshow films, it was decided that Tales from the Darkside might have some qualities that could shine on the silver screen. In the summer of 1990, John Harrison crafted a narrative of a little boy (Matthew Lawrence) desperately trying to avoid becoming dinner for an idyllic-seeming housewife (Deborah Harry) who has him locked in a homemade prison. Will the three stories he reads from Tales from the Darkside be enough to get him out of his predicament?

The first story harkens back to the adventure serials of the 1940s that inspired films such as Raiders of the Lost Ark. Based on a story by Sherlock Holmes author Arthur Conan Doyle, Lot 249 is a modern day tale centering on a mysterious mummy that has recently come into the possession of a frustrated grad student, Edward (Steve Buscemi), who has been sabotaged out of a scholarship by two classmates, Susan (Julianne Moore), and Lee (Robert Sedgwick). When bodies start turning up, it is Susan’s brother, Andy (Christian Slater), who must figure out what is truly going on. The story itself is good, campy fun, but it is seeing these young future stars that is the real treat of the film. Julianne Moore has always been perfect, and Steve Buscemi inhabits the slightly pompous intellectual role with ease. The makeup work for the mummy is excellent, as they chose to forego the bandages in favor of something more visceral. This may the weakest of the three stories, but it is a lot fun and never drags in its pacing.

The middle story is the George A. Romero adaptation of a Stephen King story that was scrapped from Creepshow 2. Cat From Hell follows a hitman named Halston (David Johansen) who has been brought in by the wealthy, wheelchair-bound old man (William Hickey) for one of the weirdest jobs of his life. The old man spins a tale of a ferocious feline that is more malevolent than it would appear upon first blush. The man believes that the cat has caused the deaths of three other individuals he shared the house with, and he fears he may be the next to go. It turns out that he may have made his fortune in a way that does not sit well with pitch black cat. One of the most amazing things about this segment is the way in which the cinematographer uses practical effects to weave between flashbacks and present day. You feel like you are being immersed in a classic noir throughout the runtime. The story is pretty straightforward, but the way in which it plays out is deliciously devious to witness. You know early on that the cat is up to no good, but seeing the confrontation between it and Halston will have you squirming in your seat. The actors never play like they are above the material, which leads to some go-for-broke performances that make the climax sing.

The final of the three larger stories is a darker take on longstanding Japanese folklore entitled Lover’s Vow. James Remar (Dexter) stars as Preston, a struggling artist who has just been offloaded by his agent (Robert Klein) after failing to gain any kind of foothold with his unpopular art. After a night of drinking away his sorrows, Preston is being walked home by the bar own when they encounter a hideous monster that kills his friend, but spares Preston’s life after pleading for it. The creature is open to letting him live, but he must promise never to tell anyone what he has seen. He agrees, but he is very obviously traumatized by what he has seen. While on high alert, he saves a lost woman (Rae Dawn Chong) from the dangerous streets and slowly begins to develop a relationship with her. You can only hope that Preston will be able to repress his past enough to uphold his end of the bargain. This story is intensely satisfying from the earnest performances from Remar and Chong to the gnarly practical effects courtesy of special effects masters KNB. This is the type of story that gives you the rush you feel after watching a great episode of The Twilight Zone or The Outer Limits.

Tales from the Darkside: The Movie was not a particularly massive hit, which is a real shame in hindsight. The film is not particularly bloodthirsty, though it does have some fun, gory moments, but it has a playfulness about it that not all films can accomplish so easily. All of the stories, including the ongoing narrative throughout the film, are lovingly crafted with their own distinct personality. The creative team has found the right narrative balance that brilliantly crescendos into a fulfilling conclusion. If you want some variety to your horror, this is the film for you.

Video Quality

This new Blu-Ray from Scream Factory rescues Tales from the Darkside: The Movie from the desolate land of standard definition with an AVC encoded 1080p transfer in 1.85:1. The film has pretty solid grain structure that preserves the filmic look of the picture, showcasing subtle details in the thoughtful production design of each segment. The practical effects of the various terrors hold up well under the scrutiny of high definition. Skin tones look natural, even with the varied color temperature throughout the film. Colors pop off the screen nicely, especially in the blues and purples in Cat From Hell and neon lighting in Lover’s Vow. Black levels hold up pretty well with some admirable depth to the image. There is no apparent damage to be found in this presentation. Scream Factory has done a nice job with the encode in lieu of a fresh master from Paramount.

Audio Quality

This Blu-Ray comes with DTS-HD 5.1 Master Audio track that opens up this world in a pretty interesting way sonically. Each segment employs distinct sounds that creep through the surrounds to provide some excellent ambient details. All of the various sounds in the mix seem accurately placed so that nothing ever feels off. Dialogue sounds perfectly clear without sound effects or the score trouncing on important information. The moaning, hissing and grunting of the various creatures are given the appropriate weight within the mix. The subwoofer is not given an intense workout, but it gets the job done when certain action beats pop up. The soundtrack comes through nicely with its different stylistic flourishes from segment to segment.

Special Features

  • Audio Commentary #1: Host Michael Felsher from Red Shirt Pictures conducts an interview with co-producer David R. Kappes in which they discuss his start in the movie business, manipulating the budget to achieve better production design, casting veteran character actors in minor roles, working with a young crew and more.
  • Audio Commentary #2: Director John Harrison and co-writer George A. Romero discuss structuring the film within the context of an overarching narrative, turning budget limitations into interesting moments, paying respect to the genre and more. The two have a fun rapport that makes this a joy to listen to.
  • Tales Behind the Darkside – The Making of Four Ghoulish Fables: A six-part documentary featuring interviews with director John Harrison, producer Mitchell Galin, cinematographer Robert Draper, production designer Ruth Ammon, and special makeup effects artists Howard Berger, Greg Nicotero, and Robert Kurtzman.
    • Chapter 1 – From Small Screens To Big Screams: A 16-minute look at the initial development with George A. Romero, choosing the creative team for the film, the production design of the film, the inventive special effects, creating and filming the wraparound story and almost killing Deborah Harry.
    • Chapter 2 – Rising Stars & The Walking Dead: An 18-minute look at the Lot 249 portion of the film including the warm look of the segment, the DIY aspect to the production design, the uncomfortable mummy suit, Christian Slater’s “Jack Nicholson phase”, the awe-inspiring Steve Buscemi, Julianne Moore still appreciating the film and more. This was a great dive into the material, but appearances from the main cast members would have been such a sweet bonus.
    • Chapter 3- That Damn Cat!: A 17-minute look at the Cat From Hell portion of the film including its original inclusion in Creepshow 2, how they handled the flashbacks creatively, how they pulled off “cat vision”, the experiences working with the cat, the amazing actors that appeared in the segment, the gory special effects and more.
    • Chapter 4 – A Vow To Keep: A 26-minute look at the Lover’s Vow portion of the film including the cinematography, the carefully crafted production design, the chemistry between Chong and Remar, creating and acting against gargoyle and more. This one is made special by the participation of Chong and Remar in the interviews, including how this film fit into Remar’s path to sobriety.
    • Chapter 5 – The Order of Things: A 14-minute look at how they decided to order the stories within the film including a fascinating discussion with editor Harry B. Miller III. The participants also talk about the music of the film, striking the right mood for each segment, continuity errors and more.
    • Chapter 6 – The Test of Time: This 13-minute final chapter talks about Paramount Pictures coming on board to the feature, how the film quickly faded at the box office, the critical acclaim and how the film led to other work for the some key figures in the crew, especially the special effects team.
  • Behind The Scenes Footage Compilation: An 11-minute home video from KNB showcasing some early special effects development and testing on set.
  • Still Gallery: Four minutes of stills from the film, publicity shots, promotional material and more.
  • Behind The Scenes Still Gallery: Four minutes of shots from the special effects process taken by KNB that showcases some of the creature designs.
  • Radio Spots: Three original radio spots promoting the film which relies heavily on touting the big names behind the source material. These are so much fun to listen to!
  • TV Spots: Two commercials totaling a minute are included here that mostly reuse a lot of the same footage. Some of it is a bit spoilery, so beware if you want to check these out before the movie for some reason.
  • Theatrical Trailer: The two-minute trailer is included which leans heavily into the creative team behind the feature. It captures the mood fairly accurately, so no one should have been caught by surprise with the lighter tone.

Final Thoughts

Tales from the Darkside: The Movie takes the established, palatably demented foundation of the series and expands it to a fun feature length film that appreciates the R-rating without abusing it. The three stories within the film are all pretty strong, and the film makes a strong case for a sequel that never manifested. Scream Factory has given this one a comprehensive Collector’s Edition with a commendable A/V presentation. If you have fond memories of the film, or if you just want something that embraces the fun in being scared, definitely check this one out. Recommended

Tales from the Darkside: The Movie will be available to purchase on Blu-Ray on August 25, 2020.

Note: Images presented in this review are not reflective of the image quality of the Blu-Ray.

Disclaimer: Scream Factory has supplied a copy of this disc free of charge for review purposes. All opinions in this review are the honest reactions of the author.

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