‘The People’s Joker’ Review – A Triumph In Transgender Representation

In every medium—spanning from the pages of books to the screens of theaters, TV shows, and video games—we discover reflections of ourselves in the characters meticulously crafted by creators. These characters frequently assume the roles of guides, steadfastly anchoring us amidst the tumultuous waves of self-discovery. Yet, their significance transcends mere representation; we seize upon these characters and narratives, molding them to articulate our own experiences and aspirations.

In her directorial debut, The People’s Joker, Vera Drew boldly ventures into the realm of DIY cinema, presenting a fresh interpretation of iconic DC Comics characters. With creativity and panache, she weaves a spoof narrative that cleverly reimagines familiar intellectual property, delving into themes of transgender self-discovery with genuine sincerity. Infused with Drew’s personal insights and experiences, the film resonates deeply, offering an authentic portrayal of the journey toward self-acceptance. The People’s Joker shines as a testament to Drew’s ingenuity and vision, carving out its own distinctive space in the landscape of DIY cinema.

Vera Drew, the creative force behind the film, draws from her own transgender journey to craft a poignant coming-of-age narrative centered around the character of Joker, portrayed by Griffin Kramer. Set in the quaint town of Smallville, Joker grapples with a profound sense of displacement within their own body, a feeling exacerbated by the absence of their father and the concern of their mother, played by Lynn Downey.

In a departure from conventional storytelling, Drew tactfully addresses Joker’s gender identity, punctuating pivotal moments with raw emotion and depth. The character’s deadname is tactfully handled, sparingly revealed for maximum impact, highlighting the complexities of self-discovery and acceptance. Initially introduced as a young child with aspirations of comedy, Joker’s journey unfolds against the backdrop of their evolving understanding of gender. A name familiar to DC fans, the Scarecrow administers Smylez, an aerosol drug inducing grotesque smiles without improving mood. Through Drew’s deft direction, the film transcends genre boundaries, offering a heartfelt exploration of identity, family dynamics, and the pursuit of happiness. It’s a narrative that resonates on a deeply personal level, inviting audiences to reflect on their own journeys of self-discovery and acceptance.

As the years pass and the child get older (now played by Vera Drew), they find themselves drawn into the vibrant chaos of Gotham City. In the bustling comedy scene, they forge connections with fellow aspiring comedian Penguin (Nathan Faustyn), navigating the challenges and triumphs of the stand-up circuit together. Amidst the laughter and camaraderie, they find themselves captivated by a charismatic figure—a comedian and trans man known as Jason Todd, affectionately called Mr. J (Kane Distler). Under Mr. J’s guidance and support, they begin the journey towards embracing their true identity, shedding their former self to emerge as Joker the Harlequin.

In the vast and diverse landscape of cinema, there just isn’t anything quite like The People’s Joker. Vera Drew’s directorial debut ventures boldly into uncharted territory, unapologetically embracing its budget limitations to craft a visually stunning experience that defies traditional filmmaking norms. Through a masterful blend of green screens and CGI, Drew weaves together a tapestry of imagery that pulsates with the vibrant energy of a living comic book.

What sets The People’s Joker apart is not just its visual flair, but also its narrative depth and thematic resonance. Drew and co-writer Bri LeRose fearlessly dissect the complexities of the comedy world, shining a spotlight on a cast of characters who defy societal norms and expectations. Their use of parody versions of well-known intellectual property injects a fresh perspective into the story, offering a sharp critique of toxic masculinity and abusive relationships. At the heart of the film lies the intricately woven relationship between Joker and her mother—a portrayal that is as raw as it is nuanced.

The People’s Joker may be one of the most raw, down-to-earth portraits of self-discovery and acceptance I’ve seen in film, especially for trans people. Through Joker’s tumultuous journey, Drew underscores the importance of embracing one’s true identity, even in the face of adversity. It’s a messy, intricate process—one that Drew navigates with grace and poignancy, leaving a lasting impact on those who experience it.

The People’s Joker emerges as a striking testament to cinema’s ability to provoke transformation—a vibrant homage to resilience, self-expression, and the relentless pursuit of authenticity. It transcends conventional labels and defies preconceived notions, asserting itself as an experience that demands to be both savored and celebrated for years to come.

The People’s Joker is currently playing at the IFC Center in New York courtesy of Altered Innocence. The film will expand to additional markets on April 12th with a national expansion over the coming weeks. For a full list of theaters, please visit the film’s website here. 

[youtube https://www.youtube.com/watch?v=W9KlASSUq4M]