Author: Larry Fried

The popular comedian finds herself in the director’s chair both on-screen and off in a debut that lacks a strong sense of story.

One of Broadway’s most beloved modern musicals, ‘Waitress,’ has been captured for posterity in an impressively cinematic live capture.

Ariana DeBose stars in ‘I.S.S.,’ the new zero-gravity thriller from the director of ‘Blackfish’ that sees six astronauts turn on each other.

‘Citizen Sleuth’ both deconstructs and pokes fun at the true crime genre, in part thanks to Willis’ use of the genre’s musical tropes.

Celine Song’s tender three-hander inverts a familiar narrative into a poetic exploration of choice, fate, love, possibility, and regret.

Lulu Wilson’s spunky, killer heroine returns in a sequel that lays a larger groundwork but somehow feels smaller than its predecessor.

The celebrated ‘Doctor Who’ composer was given three weeks and carte blanche to craft the Cronenberg reimagining’s unstable sound.

The comedian’s directorial debut is an ambitious but sloppy Hollywood satire that can’t help but leave you feeling disappointed.

The four time ‘John Wick’ co-composer breaks down the evolution of the franchise and including a 72-piece orchestra for the first time.

Composer Disasterpeace contributed to two indie darlings last year, but both came with their fair share of compositional challenges.