Good Omens returns with a second season that’s packed with romance, comedy, and an amnesiac angel with a supernatural mystery to unravel.
Author: Michael Cook
Emily Jane’s “On Earth as It Is on Television” offers a wholly unique, absurd, and emotional take on the well-worn First Contact genre.
Christopher Paolini’s “Fractal Noise” offers a rumination on overcoming grief with a tense, paranoid sci-fi thriller wrapping.
Big Finish Production’s celebration of Doctor Who’s 60th anniversary begins with a story that’s equal parts promising and disappointing.
T.J. Klune’s “In the Lives of Puppets” delivers a warm, cozy retelling of a familiar story with a surprisingly dark undercurrent.
Howard Berger and Marshall Julius’ “Masters of Make-Up Effects” offers a love letter to practical effects and the artists that create them.
“Schmigadoon” returns with a new season lambasting the musicals of the 1960s and 1970s. It’s campy, it’s heartfelt, and it’s so much fun.
While its two halves distract from one another, Florian Sigl’s new adaptation of “The Magic Flute” is more magical than mundane.
Dark Horse Comics brings its adaptation of Neil Gaiman’s “Norse Mythology” to an apocalyptic conclusion in “Norse Mythology Volume 3.”
“Theater Camp” is equal parts endearingly cheesy and delightfully absurd. A true love letter to live theater and summer camps of all kinds.









