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    Home » ‘Companion’ Review – AI And Murder And Lies, Oh My!
    • Featured, Movie Reviews

    ‘Companion’ Review – AI And Murder And Lies, Oh My!

    • By Dom Fisher
    • February 1, 2025
    • No Comments
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    A woman with dark hair is looking forward with a serious expression, eyes slightly teary, in a dimly lit room.

    Synopsis: New Line Cinema—the studio that brought you “The Notebook”—and the unhinged
    creators of “Barbarian” cordially invite you to experience a new kind of love story…

    It doesn’t seem to matter how much literature there is, how many films there are, what science says, or how many warning signs present themselves, humans, for some strange reason, always tend to go barreling into the abyss, even when it’s avoidable. We act surprised when the leopards eat our face, we attack others then complain about retaliation, we’ll wear a coat in the dead of summer and wonder why it’s so hot, and as our technology speeds towards equaling or exceeding what sci-fi has shown us is a danger, we welcome it despite the reality of being replaced or hurt being an inevitability. What the hell is wrong with us? I have my theories, but that’s for another time.

    “The days of you controlling me are over.”

    AI and murder and lies, oh my! It looks like January is no longer for throwaway films, it’s for bangers. This may appear to be a film where its trailer spoils everything by laying out the entire plot while showing you all the good parts, well, you’ve been deceived in the best way possible. Written and directed by Drew Hancock in his feature directorial debut, Companion is a delightfully chaotic and timely dark comedy meets thriller that is nothing short of astonishing. This instantly mysterious and immediately addictive film is refreshing and unequivocally a hit. Spearheaded by phenomenal performances and a creative script, Companion is one of the year’s best.

    As it effortlessly blends social commentary that covers mediocre fragile men, entitlement, artificial intelligence, the treatment of women, and autonomy, nothing is as innocent or simple as it seems. This film is violent, charming, thought-provoking, and endlessly entertaining. It’s two parts cat-and-mouse game and one part revenge. It’s claustrophobic yet spacious, funny yet terrifying, and in light of recent headlines, more relevant than they could’ve imagined.

    “Angry, violent, and bright.”

    This deadly date night film is full of unexpected twists and turns. Just when you think you’ve figured it out or know what’s happening next, it pivots, keeping you on your toes. The smiles hide boiling feelings of contempt and malice waiting to burn everything. Technology veils insecurities and inferiority that put friendships at dire risk. The question is, who comes out unscathed if anyone?

    The film is beautifully shot, well-written, and superbly directed. Every movement, moment, and every shot has a purpose and it’s evident as the story unravels. The score nuzzles itself cozzily into every scene and the hair and wardrobe speak a thousand words. As it sets out to excite, the keen contemplative nature holds firm. Hancock was able to unlock the delicate balance between vibrant presentation and depth. Not only will Companion find its audience, but will become one to revisit as part of a specific section of the sci-fi pantheon. Its rewatchability is high.

    A man and woman stand at a doorway, smiling. Trees and bushes are visible in the background.
    (L-R) Sophie Thatcher as Iris and Jack Quaid as Josh in New Line Cinema’s “COMPANION”, a Warner Bros. Pictures release. © 2025 Warner Bros. Entertainment Inc. All Rights Reserved. Photo Credit: Courtesy of Warner Bros. Pictures

    Pace & Pop

    With its tight runtime and excellent storytelling, this film’s pacing is perfect. A full rich story is able to unfold while still taking time to be aesthetically pleasing, to allow each character to have enough backstory, and to thrill as well as jest. What popped for me was how fresh and unexpected this film felt. Whatever you think the movie is about, it’s that and so much more.

    Man with curly hair and stubble wearing a green shirt, looking serious, indoors with dim lighting.
    JACK QUAID as Josh in New Line Cinema’s “COMPANION,” a Warner Bros. Pictures release. © 2024 Warner Bros. Entertainment Inc. All Rights Reserved. Photo Credit: Courtesy Warner Bros. Pictures

    Characters & Chemistry

    Starring: Sophie Thatcher, Jack Quaid, Lukas Gage, Megan Suri, Harvey Guillén, Rupert Friend

    After The Boogeyman, Maxxxine, her stellar outing in Heretic, and now this entrancing performance, Sophie Thatcher is a welcome mainstay in the darker end of the cinema spectrum. Paired with Jack Quaid who continues to impress with each new role, the duo creates lovely chaotic magic filled with maniacal energy. Thatcher shines through her microexpressions and emotional transformations as they continually fluctuate throughout the film. Like his costar, Quaid fully commits to his role, showing great range. These types of performances will open their careers up to new roles.

    Companion releases in theaters on January 31, 2025. Stay safe and rewatch iRobot and Terminator.

    Rated: R Runtime: 1h 37m Director: Drew Hancock Writer: Drew Hancock Producers: Raphael Margules, J.D. Lifshitz, Zach Cregger, Roy Lee Executive Producers: Tracy Rosenblum and Jamie Buckner Cinematographer: Eli Born Production Designer: Scott Kuzio Editors: Brett W. Bachman and Josh Ethier Costume Designer: Vanessa Porter Composer: Hrishikesh Hirway Music Supervisor: Rob Lowry Casting: Nancy Nayor

    Companion | Official Trailer

     

    8.0

    Companion is a delightfully chaotic and timely dark comedy meets thriller that is nothing short of astonishing. This instantly mysterious and immediately addictive film is refreshing and unequivocally a hit. Spearheaded by phenomenal performances and a creative script, Companion is one of the year's best.

    • GVN Rating 8
    • User Ratings (0 Votes) 0
    Dom Fisher
    Dom Fisher

    Senior Critic. Observing the human race since 1988.

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