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    Geek Vibes Nation
    Home » ‘Faces’ Review – A Short, But Horrific Exploration Of A Shapeshifter’s Quest For Identity [Fantasia Fest 2024]
    • Fantasia Fest, Movie Reviews

    ‘Faces’ Review – A Short, But Horrific Exploration Of A Shapeshifter’s Quest For Identity [Fantasia Fest 2024]

    • By Tristian Evans
    • August 12, 2024
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    A person with long hair applies makeup around their eye, using one hand to hold an eyeliner pencil while looking into a mirror.

    In Blake Simon’s horror short film Faces, a unique narrative unfolds as a deadly, shapeshifting creature embarks on a gory journey of self-realization and identity.

    Judy (Cailyn Rice), an unassuming college student, undergoes a transformative experience when she is invited by Brad (Ethan Daniel Corbett) to a fraternity party. Little does she know that a monster has stolen the form of a missing college student, Bridget (Emily Gateley), and has set its sights on her.

    A person in a red jacket and green cap holds another person's chin, while a third person with red hair holds a cigarette nearby against a wall in a dimly lit setting.
    Ethan Daniel Corbett as Brad and Cailyn Rice as Judy – Courtesy of Fantasia Fest

    It’s truly astounding what Faces manages to do in its fifteen-minute runtime. It successfully creates a moody, foreboding, and melancholic atmosphere that draws you in and doesn’t let go until the credits roll. Rice, who portrays the creature in Judy’s form for most of the runtime, does an excellent job of going from sweet, wholesome, and sarcastic to a stoic and seductive predator. What she does with her body movements, tone of voice, and facial expressions believably conveys a creature playing at being human.  It’s fun to watch, even while creeping viewers out.

    Corbett gets to flex his acting chops here as well. He goes from an obnoxious frat bro to a terrified target and, ultimately, the following form the creature acquires. Corbett’s portrayal of the beast is surprisingly emotional. No matter what form it takes, the creature will never be satisfied. Its hunger for identity will never be filled; thus, a trail of innocents will be left in its wake. Viewers shouldn’t feel bad for this monster, but they will.

    A person with long dark hair wears a black lace eye mask and red lipstick, looking to the side in a dimly lit room.
    Courtesy of Fantasia Fest

    One of the truly astounding things the film manages to add during its runtime is bits of background on the creature. For example, after every attack, it returns to a small, dark apartment and observes itself in a pink vanity mirror. On that vanity sits a neat stack of driver’s licenses stolen from its victims. Their cellular devices are so stuffed into one of the vanity’s drawers that it barely closes. Vast piles of clothing sit stacked in the corner. The creature has been at this a while, and again, its hunger and longing can never be filled. It’s both terrifying and fascinating.

    Blake Simon has a knack for tapping into the fears of the unknown and unseen to create a terrifying experience for viewers. The use of sound as the creature is transforming: the breaking and rearranging of bones, the unnatural contorting of the body, and flickering lights make for a chilling viewing experience.

    Faces is a horror short that chills, thrills, and manages to layer in a surprisingly emotional message about a murderous desire for identity.

    Faces screened in competition at the 2024 Fantasia International Film Festival as part of the Small Gauge Trauma short film block. 

    Movie poster for "Faces" showing two women, one holding lipstick and partially reflected in a mirror, with text "Looks Can Be Deceiving" at the top and "A film by Blake Simon" at the bottom.

    7.0

    Faces is a horror short that chills, thrills, and manages to layer in a surprisingly emotional message about a murderous desire for identity.

    • GVN Rating 7
    • User Ratings (0 Votes) 0
    Tristian Evans
    Tristian Evans

    Writer. Video Essayist. Film/TV Critic. Pop Culture Enthusiast.

    When he isn’t writing for Geek Vibes Nation or The Cinema Spot, Tristian can be found typing away at one of the novels or screenplays he’s been working on forever.

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