Some romances win you over by feeling familiar. ‘Wicker’ makes a persuasive case for the peculiar, finding charm in its strangeness and keeping wit close at hand. Our LFF 2026 review celebrates a wonderfully weird film with an appealing sense of humor.
There’s being a man, and then there’s making sure everyone notices the performance. Taron Egerton embodies the latter in ‘Everybody Wants to F*ck Me.’ Our TIFF 2026 review examines a high-concept comedy through its portrait of masculinity as an act for an audience.
Aaron Sorkin’s “The Social Reckoning” offers up a toothless political thriller that seems to thoroughly distrust its audience.
Let’s sit and enjoy Method, a grim reaper of a film crawling inside the dangers of indie filmmaking with unsupervised psychopathic creatives.
‘Found Alive’ tests your patience, then gives you a reason not to give up entirely. Its sluggish pace and dull stretches make for a wearying watch, yet the lead performance keeps an otherwise unengaging film from becoming a complete loss.
Chaos can give a film momentum, but it can also swallow any sense of direction. ‘The Idiot(s)’ falls into the latter trap. Our LFF 2026 review examines a film whose disorder becomes the thing to endure rather than a reason to stay engaged.
There’s a point where surrendering to a film’s madness becomes waiting for it to stop. ‘Hot Spot’ crosses that line, pushing its psychedelic sci-fi nightmare beyond the point of fascination. Our LFF 2026 review considers a film that doesn’t know when enough is enough.
Sense and Sensibility captivates through its beautiful pageantry and showstopping performances, while also speaking to the world we live in today.
