‘Monster Mia’ Review – A Cute Little Monster Movie With Just Enough Bite
‘Monster Mia’ has charm to spare, but its little flashes of bite keep the sweetness interesting. It’s a monster movie whose appeal comes from…
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‘Monster Mia’ has charm to spare, but its little flashes of bite keep the sweetness interesting. It’s a monster movie whose appeal comes from…
Darkness can make an audience lean forward, searching the frame for something they hope not to find. ‘Infirmary’ leaves that attention unrewarded. This found-footage…
Rick Cutter’s The Grid Unplugged starts with electric cars and ends on a failing power grid. The documentary makes a common-sense pitch for a…
Martin McDonagh’s Wild Horse Nine gives John Malkovich a dynamite role as a fading CIA agent on Easter Island. From TIFF 2026: the performance…
Being chased by a tomato is ridiculous enough. Being outsmarted by one adds insult to injury. ‘Attack of the Killer Tomatoes: Organic Intelligence’ brings…
What does relief for a troubled spirit look like when blood is part of the remedy? Our TIFF 2026 review of ‘Your Mother Your…
Lee Chang-dong’s Possible Love follows a laid-off factory worker and the marriages that collide around him. From NYFF 2026: a film that examines job…
Mike Flanagan’s Carrie expands Stephen King’s novel into an eight-episode Prime Video series. The reimagining is bold. The bite never quite arrives.
Alejandro G. Iñárritu’s Digger casts Tom Cruise as an oil magnate racing to look like humanity’s savior after a disaster he helped cause. The…
Peter Farrelly’s I Play Rocky follows young Sylvester Stallone as he writes Rocky and refuses to give up the lead. From NFF 2026: a…