With Aftersun, director Charlotte Wells seeks deeply personal answers to these questions. Read our full review inside…
Author: Brandon Lewis
Brandon Lewis
A late-stage millennial lover of most things related to pop culture. Becomes irrationally irritated by Oscar predictions that don't come true.
The Whale is as psychologically relentless as Darren Aronofsky has ever been, if not as metaphorical. Read our full review…
The Woman King is a staggering triumph in every conceivable way. It is a towering monument of a film. Read our review inside…
My Policeman’s greatest strength lies in its tender approach to its passionate romance. Read our fullreview inside…
Rather than an outright horror movie, The Invitation is a concerted effort to restore vampires to their gilded, lusty glamour.
The Territory is a harrowing, vital story of indigenous resilience and resistance. Get our thoughts on the film inside.
The Princess, even as a modern examination of Diana’s complicated relationship with the media and public, feels incomplete.
I Am Groot is the perfect compromise: a collection of five animated shorts that show Baby Groot as his sweet, naughty, anarchistic best self.
Bullet Train’s wonderfully rich characters, performed by a top-notch cast, make the trip worth it. Read our review inside here!
Not Okay is a solid takedown of our dicey relationship with social media and how online fame doesn’t guarantee personal fulfillment.