Biosphere is a strange, funny, and heartfelt film that offers a bold take on the end-of-the-world story. Read our review inside…
Author: Brandon Lewis
Brandon Lewis
A late-stage millennial lover of most things related to pop culture. Becomes irrationally irritated by Oscar predictions that don't come true.
Florian Zeller’s, The Son, is a hollow, frustrating exercise in emotional manipulation. Read our full review inside…
Bros largely delivers on its ambition to tread new ground as a major studio-backed queer romantic comedy.
With Aftersun, director Charlotte Wells seeks deeply personal answers to these questions. Read our full review inside…
The Whale is as psychologically relentless as Darren Aronofsky has ever been, if not as metaphorical. Read our full review…
The Woman King is a staggering triumph in every conceivable way. It is a towering monument of a film. Read our review inside…
My Policeman’s greatest strength lies in its tender approach to its passionate romance. Read our fullreview inside…
Rather than an outright horror movie, The Invitation is a concerted effort to restore vampires to their gilded, lusty glamour.
The Territory is a harrowing, vital story of indigenous resilience and resistance. Get our thoughts on the film inside.
The Princess, even as a modern examination of Diana’s complicated relationship with the media and public, feels incomplete.