‘Dream Productions’ Season 1 Review — A Disappointing Cash Grab That Points Back To That Greedy Little Mouse

After watching Disney+’s Dream Productions, I felt moments of melancholy for my youth. I began considering when planning to see a Pixar film felt like an event. Watching the Luxo Jr. lamp hop across the screen with “Pixar” in a clean serif font brought excitement and wonder only movies can deliver. My father always said Looney Tunes was made for adults. It was likely his way of justifying skipping lawn mowing on Saturday mornings for an hour or two. However, that same sentiment for me applies to Pixar.

You can track that back to their first film, starting with Toy Story. Unfortunately, it’s missing from the Disney+ series Dream Productions. Pixar’s classic films explored universal themes of personal fulfillment and the complexities of growing up. These themes evoke reminiscence and resonate more deeply in adulthood. The storytelling felt sophisticated and highlighted relatable life stages that come full circle as you age. The witty dialogue and cultural humor also catered to grown-up sensibilities.

For a series inspired by how Pixar built its classic catalog—with films like Wall-E, Inside Out, Finding Nemo, Ratatouille, and Up—Dream Productions highlights the shortcomings and deficiencies of Pixar’s current efforts. The newer movies can be fun and vibrant but often lack the depth of their predecessors. In short, Disney once believed quality led to profits. Now, that greedy little mouse and his friends prioritize quantity in the streaming wars, no matter how shallow the material may be.

At first, there’s excitement. Adapting the Pixar world to a Greg Daniels and Michael Schur “mockumentary” style, similar to The Office and Parks and Recreation, sounds promising. However, the series quickly resembles “scraps” from unrealized short film concepts. These ideas are recycled into a small cash grab like that foolish anthropomorphic dog (or cow) tosses it at the audience’s feet. Let me get this straight: we should be up in arms about champion writers being paid their worth, yet they produce series like this?

The fact is, Dream Productions is neither made for kids or adults. It’s a version of a movie or series designed for Hollywood to pat itself on the back. Think about the qualities we discussed earlier and how absent they are here. None of the storylines are reliable or have emotional depth. Can children relate to a director, Paula (Paula Pell), who must collaborate with Xeni (The Bad Guy’s Richard Ayoade) to create a sequel to the original Inside Out? Will adults even care inside like a Disney-fied version of a Robert Altman or Christopher Guest satire? Spoiler alert: the answer is a resounding no.

The series exists between both. As one of the few critics who found Inside Out 2 “overhyped and underwhelming,” you might wonder if Dream Productions is responsible for the lackluster sequel. The writing from creator Mike Jones (Luca, Soul) thinks its humor is smarter than it is. This is a problem for any comedy. Jones stunningly mishandles the attempt to bring together older and newer perspectives to see Riley in a new light. He uses this more as a plot device rather than with any real substance. Dream Productions is another Disney+ streaming cash grab that points back to that greedy little mouse focusing more on quantity in the streaming wars than quality.

You can stream Dream Productions exclusively on Disney+!