Writer-director David Hebrero’s ‘Everyone Will Burn’ (2022) is a riotous melodrama smashed together with folk horror.
Author: Devin McGrath-Conwell
Shinzô Katayama’s sophomore feature ‘Missing’ (2022) is an enthralling thriller that doubles as a moving character study.
David Bowie was many things in his iconic career, including the sexiest goblin alive in Jim Henson’s ‘Labyrinth’ (1986).
‘Confess, Fletch’ (2022) is a performer showcase with a tight story that nonetheless ends up ringing a touch hollow due to dull direction.
The second and final season of AMC’s ‘Kevin Can F**k Himself’ (2021-2022) is a flawless swan song for one of the most creative shows on TV.
‘When I Consume You’ (2022), the latest from lo-fi director Perry Blackshear, is an imperfect but engrossing demon-tinged thriller.
Director Alli Haapasalo drops in to talk about her Sundance Audience Award-winning ‘Girl Picture’ (2022), and the importance of acceptance.
Writer-director Max Walker-Silverman stops by to talk about his gorgeous feature debut ‘A Love Song’ (2022).
Wes Studi stopped by to talk about embracing tenderness in ‘A Love Song’ (2022) after a career defined by more severe roles.
Dale Dickey dropped by to chat about her rare leading role in ‘A Love Song’ (2022), and all that went into crafting the performance.









