Shinzô Katayama’s sophomore feature ‘Missing’ (2022) is an enthralling thriller that doubles as a moving character study.
Author: Devin McGrath-Conwell
David Bowie was many things in his iconic career, including the sexiest goblin alive in Jim Henson’s ‘Labyrinth’ (1986).
‘Confess, Fletch’ (2022) is a performer showcase with a tight story that nonetheless ends up ringing a touch hollow due to dull direction.
The second and final season of AMC’s ‘Kevin Can F**k Himself’ (2021-2022) is a flawless swan song for one of the most creative shows on TV.
‘When I Consume You’ (2022), the latest from lo-fi director Perry Blackshear, is an imperfect but engrossing demon-tinged thriller.
Director Alli Haapasalo drops in to talk about her Sundance Audience Award-winning ‘Girl Picture’ (2022), and the importance of acceptance.
Writer-director Max Walker-Silverman stops by to talk about his gorgeous feature debut ‘A Love Song’ (2022).
Wes Studi stopped by to talk about embracing tenderness in ‘A Love Song’ (2022) after a career defined by more severe roles.
Dale Dickey dropped by to chat about her rare leading role in ‘A Love Song’ (2022), and all that went into crafting the performance.
The recently concluded first season of ‘Star Trek: Strange New Worlds’ (2022-) celebrates healthy masculinity through Christopher Pike.